(That is her cue. Anya proceeds to bring out a female puppet meant to be the Tsaritsa who is looking for her beloved.
The following scenes go like: The goddess was worried that her beloved didn’t return to the castle. She knows very well that dragons wouldn’t let the people who stumble upon their caves to go home easily, so she comes up with a plan to get him out of the dragon’s cave safely.
She then switches up the puppet to reveal that the goddess puppet in her musician disguise carrying a lute in order to distract the dragon by playing a beautiful song to it, thus allowing her to save her beloved from being trapped in there.)
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The following scenes go like: The goddess was worried that her beloved didn’t return to the castle. She knows very well that dragons wouldn’t let the people who stumble upon their caves to go home easily, so she comes up with a plan to get him out of the dragon’s cave safely.
She then switches up the puppet to reveal that the goddess puppet in her musician disguise carrying a lute in order to distract the dragon by playing a beautiful song to it, thus allowing her to save her beloved from being trapped in there.)