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Entry tags:
- !event,
- aang,
- aerith gainsborough,
- alastor,
- anastasia romanova,
- azula,
- barok van zieks,
- black raisin cookie,
- cloud strife,
- eustace,
- ferran gallagher,
- flowey,
- g'raha tia,
- gabriel agreste,
- gina lestrade,
- hermes,
- hiyori iki,
- ira,
- iris wilson,
- isabela madrigal,
- maedhros,
- naminé,
- naoya,
- nico di angelo,
- pauline bonheur,
- riku,
- ryu,
- senku ishigami,
- sephiroth,
- sheik (zelda),
- trahearne,
- yato,
- zhongli
{ mirror mirror }

MIRROR MIRROR
With the sleepwalking curse over, everyone will have some time to rest and recuperate—until Jack Frost comes barging in with news of a clue on how to help his beloved Ice Queen who still remains asleep. The clue was the mirror shard that was in her chest, and there are theories that it may have been a fragment of a much stronger, powerful mirror she had been given some time ago. Problem is, he can't find it nor can he remember who gave it to her. He does, however, have a magic incantation that will allow people to enter mirrors and hopefully find a trace. Unfortunately, this horrendously backfires and we have mirror chaos instead. Dammit, Jack.
More details on everything can be found here. We will request any thread submissions for certain prompts during AC .
I. REVEREIN
It all begins in Reverein, where there's a strange shift in the air upon Jack's attempt to cast the spell. But instead of affecting just one mirror, it reflects off the surface and spreads out to the entire town, hitting every reflective surface instead. Ripples can be seen before the surfaces still, but it's too late. Every reflective surface—glass, mirror, window—is under a different effect because of the botched spell.
And some are being unwittingly pulled into them.
Fortunately It is possible to communicate and even watch people from the other side of the mirror, but it's only through certain mirrors and at certain times. It also will be temporary, so while one mirror might work one time, it may not work again.
A. Strange Reflections. While some mirrors may still reflect proper images, many will have…unusual changes.

🪞 You are what you see. Whether it's an odd hairstyle, change in skin color, or style of clothing in the reflection, suddenly the viewer will look exactly like what's reflected. The most extreme is a different form entirely.
🏡 Glimpses of home. Everyone will have a rare glimpse of their home world, and these can be instances from the past, present, or even a limited future. They are just reflections and cannot be interacted with, and future reflections may be blurry to prevent the person from seeing too much. For those who have memory issues, such visions will also be blurry, but perhaps they can help stir some things…
🔮 Most desired. Mirrors that have a bit of a pink hue to them will reflect the viewer's most desired "thing." It could be an object, person, place, or even a general idea. However, if not careful the viewer may become trapped in a trance and will need to be removed or smash the mirror.


D. The Unknown. Appearing in both the Mirror World and Reverein will be a strange mirror masked, black cloaked figure called "The Unknown." It traverses through the mirrors and through the walls, seeking those with happy reflections and will try to corrupt them with nightmares. People on both sides of the mirrors will be able to confront and try to stop the Unknown, though beware its chocolate attacks.
II. MIRROR WORLD
Everything in this "Mirror World" is, in a word, chaotic. Imagine an AI-generated monstrosity based off of Picasso, Escher, and Dr. Seuss, where everything seems to be upside down, backwards, colors everywhere and nowhere, and everything feels so fragmented that one step feels like walking towards the edge of a cliff. In a way it's nightmarish in an unusual sense, and those inside can feel that touch of "madness" that seeps through the cold air.
Beware the strange creatures in the Mirror World. They are grotesque monstrosities, many of them looking as if they were stitched together from different parts. Fortunately they are susceptible to weapons and dreamotion and those inside the Mirror World will find they are able to use different abilities, especially those with reflective properties.




Only upon finding a mirror that leads back to Reverein, but they will also need help from the outside. Someone from within Reverein must also be there to physically reach in and pull them out—while hopefully not accidentally be pulled in themselves.
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... one thing, the fairy can do. He lets out a slow breath through his nose to try to calm himself. He can't give up this one last hope.]
It was... silver. The frame. Like—
[A hand with too-perfect nails moves to grasp at something at his chest that's not there. Realizing he's only found air with the gesture, the Fae opens his gem-like eyes and seems to come back to himself to some extent. Urgency returns to his demeanor as he instead moves to grab Gina's hand.]
Never mind. We can't stick around here, come on.
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[Well, that's something resembling a clue at least. But she can't press further or even think much, because now things are getting urgent. As he goes for her hand, she seems resistant.]
Oi, wot's the rush? [She'll follow along, but she doesn't like this.]
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He'll catch up if we don't. He's—angry.
[The Fae is not wrong, unfortunately, as his pursuer is indeed angry. He hopes not to see him again, despite the sense he gets that it's inevitable.]
I can't let him kill me, not like this. We have to hurry.
[So his wings will beat with a sudden flutter as he moves forward, pulling Gina along the strange landscape.]
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Alright then. Let's get movin'! [With that, she commits to following along with him!] I'll keep me eyes peeled for yer mirror, too! There's gotta be somewhere safe to get away from whoever's chasin' you 'round...
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[Safe is a strong word for it, but at least it'll be where he should be. It's definitely where he wants to be.]
The mirror... maybe had gems on it, I—think. [Frustrated with his inability to picture it clearly, he furrows his brow, but keeps moving past a large brick building sitting at an impossible angle.] Only a few here and there, but... different colors.
[That makes sense, right? If it was like the necklace he's lost, it would be connected to him and his friends, wouldn't it? As he looks along with Gina, he's slightly calmer, which lets him process the surroundings.]
Is this another dream world? I hate these things...
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Gems, eh? Got it. [It's sounding like a particularly pretty mirror! It should be a treat for the eyes as well as being this fellow's salvation.]
It's... like a dream world, wot's all connected to mirrors an' such. It's a real confusin' one, and it's tough to get around... but if we keep movin', I'm sure we'll find wot we're lookin' for.
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[He manages to catch a glimpse of himself in a window and grimaces at the sight, but it's certainly no mirror. Moving on...]
Have you seen anything else dangerous here?
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[She frowns as they move along.]
It's a shame. The search'd be a lot easier if we could fly through this all! But we'll manage. You got an ace inspector wiv you now!
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Anxious, he advises her:]
Don't let your guard down. These places are always hiding something sinister.
[Their path leads them past winding and twisting streets to somewhere almost medieval, cramped stone and wood buildings built on top of one another with dirt roads and sparse, grey plants. More importantly, though, are the reflective surfaces that can be seen through the windows of each cottage and shed.
He doesn't wait for Gina, letting go of her hand as he surges forward to start checking them, leaving her in his literal red fairy dust.]
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I know, there's always sometin'. You don't gotta worry 'bout me bein' careless! [Except when she is. But right now at least, she's exercising caution as they rush forward. And then she's taken by surprise as he tears ahead! Gina tries to pick up speed to pursue him.]
Oi, easy there! Lemme 'elp you out!
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With all of these... it has to be here.
[And he is right; though there are several silver-framed mirrors that don't belong to him, and a few decorated with stones as well, there's one in a cobbled-together hut on the other side of the "block" that holds a gem the precise color of the Fae's eyes in the corner. A few other polished jewels are mounted in the sweeping motifs of the frame as well—black, blue, yellow, green. The surface reflects a modern city, skyscrapers in the near distance, local dark streets viewed from the roof of a several-story brick building.
With how the past Ferran is checking the mirrors on the upper floors first due to the height he can get with his wings, he might not get to it himself in a while, though.]
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Oi!! I think I found sometin'! [She calls out loudly, hoping he can hear her.]
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When he flies inside to meet her, he lets out a shaky breath, touching the surface of the mirror with a look on his face that might suggest he's on the verge of tears.]
It's—Isadora's place. We used to just sit here and watch the city...
[Unfortunately, Gina's call also alerted another brown-haired, red-haired young man.
A bolt made of that same shade of red gem shoots past the two of them from behind, narrowly missing the fairy as he ducks out of the way. Unfortunately, the impact utterly shatters the mirror's surface, shards only showing twisted facsimiles of their surroundings, and the fairy grimaces, his feet touching the ground and knees half-buckling as if he's suddenly lost some of the strength in his wings.
The attacker, physically identical to Gina's companion minus the inhuman features, holds a silver bow in a style not unlike the mirror's frame and wears a torn outfit suggesting nobility in a theatrical way. His posture is similarly proud, and the look on his face is dark, focused on his doppelganger. From where he stands outside the hut, he calls:]
Get away from that thing.
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But then, before she can say a word, everything shatters in a moment. Suddenly, the mirror is in shards, and a human double of the fae is present. Gina gives a startled gasp, and is quickly on the defensive.]
Wot?! Wot're you doin'?! [She stays close to the fairy version.] 'E ain't a thing!!
*red-EYED... smh ryoko
All I want is to go home—
[Ferran answers, his tone nothing but resolute; a contrast in their otherwise identical voices.]
—where all you'll do is hurt people. [He can turn his gaze to Gina while keeping the fairy well in view thanks to having them basically trapped in that small building.] I'm not joking around. You don't know how dangerous that monster is.
go easy on her!
B-but... 'Ow do I know that's for real?? 'E just seems lost an' 'urt to me. I'm just trying to 'elp 'im out!!
[She protests shakily. But as she thinks in her head, one thing becomes apparent. There can't be a way to get back home from these mirrors. So that goal of the fairy's must be delusion.]
instructions unclear, went too easy on her, time became soup
That doesn't excuse what he's done or what he'll do. I'm telling you that so you can save yourself!
[The fairy's gaze turns almost as dark as his human counterpart's, an apparent realization drawing his voice away from the fear from moments before.]
If you know all that, then... then you're just as dangerous as me.
[Then, the same thought occurs to them both almost at the same time—not being as different as Ferran might imply, it's easy for him to pick up on the idea of the Fae using his powers to act.
He aims his bow, but it's just a split second too late: the space around the cabin visually warps, probably forcing Gina into a few moments of dizziness before it resolves and the winged figure has disappeared. All that's left of his presence is a faint trail of glittering red dust.
After growling in frustration, Ferran advances, bow still drawn and ready to fire at a moment's notice—as soon as he catches sight of a hint of his other self...]
You're not getting away!
mmm soup
She's left dizzied, with some red dust floating in the air. Gina quickly starts moving after the man, pulling her gas gun out.]
'Old it right there! [She calls after him.] Wot didya do right now?? What 'appened to 'im?!
i wonder what time soup tastes like
It's not me—it's his illusions; he's trying to hide so I can't find him!
[As a threat, he calls out to the sky:] But they're not fullproof! They never were!
thyme
Still... still kickin', is 'e? [Her breathing is heavy with anxiousness as she doesn't want to throw her fae friend to the wolves.]
Why don't you just leave 'im be? It ain't like 'e's goin' after you!
you're a genius.
So I'm just supposed to leave a horrible monster to hurt someone else just because it's not after me?
[It doesn't seem as if he's willing to acknowledge the idea that his other self means no harm. If he does, then—then he can't do what he has to do.
As Ferran readies a shot towards the sky, whisper on the wind reaches the detective:]
Don't trust him, Gina.
[The faint sound catches the young man's attention too, and he turns sharp red eyes towards her.]
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[She responds shakily. The man doesn't seem the most stable himself, and the fae is the one who seems lost.
She hears that whisper and freezes for a moment - then sees the man look towards her with red eyes. Now she points the weapon towards him.]
Oi!! Stay back! We can talk this out, yeah? No one's gotta go after no one else!
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You can't believe anything a Fae says; their magic is all about tricking people. They can't even stop themselves if they try.
[He says it with an authority that speaks to experience—because he knows what that feels like, that nature that he struggled against in the past this reflection represents.]
I have to get rid of it. That thing my responsibility; isn't that much obvious?
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I... I... The two of you are connected, that's for sure. [She tries calling out for the fae.] Oi!! I wanna 'ear your side too! That's the one way we can know for sure wot's for real, yeah?
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It's like I said—I just want to go home!
There is no going home from here. Especially not for you. [Ferran focuses his gaze on Gina, a steely look on his face.] You know that, don't you?
[But the fairy's voice continues, accusatory:]
You've hurt our friends for that murderer, haven't you. [Ferran's scowl deepens as he turns it to the empty air.] That's why you don't want me to go back.
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