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songerein2022-02-11 05:20 pm
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Entry tags:
- !event,
- alastor,
- alphen,
- anastasia romanova,
- balthus von albrecht,
- basil,
- beatrix,
- diluc ragnvindr,
- dohalim il qaras,
- emil västerström,
- eustace,
- hilda valentine goneril,
- hunter de vil,
- ira,
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- kainé,
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- luca balsa,
- oriphi,
- otto octavius,
- ren amamiya,
- rokurou rangetsu,
- roxas,
- serah farron,
- shionne imeris,
- somnus lucis caelum,
- sora,
- tifa lockhart,
- toge inumaki,
- vanitas,
- yujin mikotoba,
- zelda (botw)
{ lindwormeo and juliet }

LINDWORMEO & JULIET
It is the third dreamshift, and when everyone rouses and becomes aware of their situation, they find themselves dressed in Verona, a gothic city where night reigns everlasting and violence lurks around every corner. Not because of crime, but because of the two main families, the Montagues and the Capulets, everlasting feud. Fights break out almost every other minute and peace is hard sought after. However, peace is perhaps on the table, for the Capulets are hosting a grand masquerade in a gesture of truce. But it's difficult when one of Montague's sons is cursed as a Lindworm, one of the key reasons why there is a feud to begin with.
"But that's not really all that important," a voice echoes around them. It's a voice different from the tapirs that they've grown accustomed to, and after another moment it chimes in again. "Up here my fair little dreamwalkers."
And lo, high above in the permanent night sky is a moon so full and bright that it almost feels as if it could swallow them whole. After learning about the Story Eater's actions against Songerein's moon, the appearance of a face would certainly alarm many. But then the face seems to recede before it changes into a full person holding a quill and manuscript.

But it is now up to you to see this play through completion. Doing so will help those outside draw out the fiend through the accumulated dreamotion energy, and if you could give it a few stabs that will help as well. Not all of you need to partake in my play, and I have already chosen my leading actors and actresses. You should find a brief copy of the script on your person, but you may act however you wish. However, I should warn you—this is a tragedy, so deaths are expected. But fear not, you will leave this dreamscape perhaps a bit tired, but unharmed. It's all a dream after all.
Now that should cover it. I look forward to seeing how everyone's tragic romances will play out. It may give me material for my next masterpiece!"
And just as suddenly as he had appeared, Shakespeare disappears from the moon, leaving it to loom brightly over the otherwise dark city.
I. GENERAL PROMPTS

A. Family Feud. Everyone in Verona is randomly split in allegiance between the Montagues and the Capulets, and whenever they meet there is some kind of tension. It could be violent, hostile, passive, petty, or even attraction. Surely Romeo and Juliet aren't the only ones who can love across the aisle. If not pit against each other to fight or exchange snide comments, opposing parties can also work together to deal with Erasers posing as creepy looking family members/soldiers/knights/etc.
» BONUS: TO ARMS. A city-wide family feud makes for good business if you’re in the weapons-and-armor trade. Gather materials to help smithies in creating armor and weapons.

» BONUS: PREPARATIONS. Any good party requires a lot of preparation, and all of Verona is abuzz with activity leading up to the big night. Tailors need help getting fabric, jewels, and other baubles to create the finest dresses. Caterers need quality ingredients for the food that will be prepared and served. Someone needs to step up and be the band for the night. There are plenty of ways in which Dreamwalkers can help make the masquerade a success!

- PARIS V. JULIET. Paris meets and dances with Juliet, taking a fancy with her. With his arrogance believing he can win over the Capulet princess, throughout the night he attempts to woo Juliet, either in the ballroom or the gardens just outside. Juliet must not be swayed! (Or maybe a little swayed, but try not go totally off-book here). Juliet can shut down Paris however they want. (This scene happens during or immediately after the "Masquerade", but before the Balcony scene.)
- PARIS V. ROMEO. Paris bullies his younger brother about the Lindworm curse on a near-constant basis. And to add insult to injury, after meeting Juliet he’s decided that he wants Juliet for himself. Obviously, Romeo is not about to let his stupid mean brother steal the love of his life! They’re going to have to fight this one out, either with words or via fisticuffs. (This scene happens during or immediately after the "Masquerade" but before the "Balcony" scene.)
- BENVOLIO'S ATTEMPTS. Benvolio is trying to find a cure for Romeo's curse, and after some research in the library he finds something! Good cousin that he is, he puts the theory to the test immediately. Unfortunately, his attempt backfires and he gets turned into a lindworm (fully or partially) instead. The poor guy is now out of sorts, and he needs protection so that someone doesn't mistake him for some monster and kill him. At least the transformation is only temporary.
- TYBALT V. MERCUTIO. The infamous duel. Considering how much their families hate each other, the inciting incident can be just about anything. The original story has Tybalt goading Mercutio into a duel by calling Romeo a villain, Tybalt killing Mercutio, and Romeo killing Tybalt. But no one’s enforcing the particulars very closely here, so players are free to proceed with the fight any way they please. (If this fight does end in one or more deaths, please refer to the event details on how death works within the dreamscape.)

» BONUS: ROSE COLLECTION. In the forests are white and red roses that are hidden under logs and stones. They will sparkle a bit to make them look different than other flowers. They must be collected before the Erasers can get to them. A white rose fed to a lindworm will return them back to normal. Eating a red rose will allow characters to turn into a pink, heart covered lindworm for ten minutes to fly up and try to combat against the winged noctaere or the Erasers.
II. ROMEO AND JULIET'S OBJECTIVES

Click for objectives.
A. Love at First Sight. Time to get your party-crashing pants on, Romeo, because there is a masquerade that you are not invited to but are attending anyway. Who doesn’t love a good party? If you wear a mask, no one will know it’s you! Here Romeo and Juliet have the opportunity to meet and flirt and make goo-goo eyes at each other. And if they really want to get into the spirit of things, they can go into a laborious metaphor about how holding hands is super hot but kissing is way hotter. (Yes, really.) At this point Romeo's curse is only a partial transformation, something along the lines of scales down one side of his body.

C. Elope. Being the very mature and intelligent lovers that they are, Romeo and Juliet decide to get married after knowing each other for a whole day. Time to get to the chapel, meet with the Friar, and exchange vows. Shakespear will lend a helping hand by providing wedding attire fitting for those who are cast in their role. That's right, every Juliet will have their own special bridal dress, isn't he so considerate? And then it’s time to do whatever it is that newlyweds do, if that's what they are into. Otherwise, Romeo and Juliet will need to return home to prepare for their future.
D. Runaways. Juliet learns that she is being forced to marry Romeo's brother, Paris, which is a problem because she’s already married and also she doesn’t like that other guy anyway. In a major divergence from the source material, Romeo and Juliet decide to make a run for it instead of that whole poisoning-yourself business. It’s just a better idea all around. The goal is to get out of town undetected, which means that this is a stealth mission. Romeo and Juliet must follow a path and avoid getting caught. Whatever it takes to get past the guards and would-be snitches that would turn you in!

F. Tragic Ending. Upon learning of the young couple's running away, the Capulets have declared war with knights out hunting to kill Romeo and bring back Juliet. They are soon found and no matter what they do, death will await them. But how? Players can direct this however they want. Did the soldiers catch them? Did they decide that the whole double-suicide poison thing was a good idea after all? Does one tragically sacrifice themself to save the other? Does Romeo go full Lindworm and eat Juliet? The possibilities are endless. At this point Romeo is capable of turning into a full lindworm if he's taken the cure without Juliet's blood. If he drinks the cure with Juliet's blood, then he will revert to a normal human (teenager) with no extra powers.
[Mod Note: Details on this event can be found here and we request all thread submissions to be made here.]
emil västerström ▶ ota
❰ if everyone wasn't forced to be here, emil would have nothing to do with any of this. he's very much a 'focused on his own life and no one else's' kind of guy. it's a small saving grace that he isn't a big enough asshole to drop all of this fabric he's holding and bolt (there's some textile pun in there somewhere.
the plan was to be somewhere that wasn't on the street, which the masquerade hall is as good a place as any. at least he can try and mind his business while also eating something. however, he's arrived a little bit too early and happened upon a bustling crowd of people preparing. first it was one bolt of fabric thrust at him, and then another before he even had time to complain. now he's accepted his fate of being 'that guy assigned to hold all the fabric'.
it's hard to even see that there IS a guy behind all of it, with how much it cascades down from the stack. emil isn't that tall to begin with, so if you were to currently mistake him for just a pile of inanimate objects. the grumbling he's doing to himself is curse-laden, but also smothered by the bulk of material.
— until he's bumped into by a hurrying npc carrying a large rug, smacking emil backwards and into a pile of fluttering fabrics on the floor. the yelp he lets out is much louder and undignified, even though the only physical sign that there's still a man under all of that is the tip of his boot sticking out from around the bottom. ❱
— masquerade proper
❰ the actual concept of a masquerade emil can take or leave — what's up with the masks? why would you want to dance with people you don't know? ludicrous.
so the main draw is the food, which he'll never object to. he's also luckily got a few ripped pieces of fabric he's fashioned into little pouches after that whole almost-suffocating-in-satin. since in his mind this is all made up and doesn't matter at all, no one will complain if he swipes a very large number of desserts from the table, slipping them into an aforementioned pouch. half of this stuff he doesn't even know what it is, evident by how he picks up a small merengue inquisitively. ❱
Can you even eat...? ❰ his eyebrows raise with his whisper, before a shrug, and it goes into the sack. the ramifications of eating dreamscape desserts will be discovered later. in the meantime, there's a tower of biscuits he's got to shove into another sloppily tied knapsack. ❱
Masquerade Prep
(Anya just so happens to be walking by to get the bolts of fabrics for the masquerade ball when she witnesses Emil getting bumped by the NPC rushing. She drops everything she was doing to run towards him to help him out.)
Um, hello. Do you need some help in getting up?
(Pooka is also barking in concern, his head craned to see the piles of fabrics covering most of his body at the moment.)