songerein | { lindwormeo and juliet }

LINDWORMEO & JULIET

It is the third dreamshift, and when everyone rouses and becomes aware of their situation, they find themselves dressed in Verona, a gothic city where night reigns everlasting and violence lurks around every corner. Not because of crime, but because of the two main families, the Montagues and the Capulets, everlasting feud. Fights break out almost every other minute and peace is hard sought after. However, peace is perhaps on the table, for the Capulets are hosting a grand masquerade in a gesture of truce. But it's difficult when one of Montague's sons is cursed as a Lindworm, one of the key reasons why there is a feud to begin with.

"But that's not really all that important," a voice echoes around them. It's a voice different from the tapirs that they've grown accustomed to, and after another moment it chimes in again. "Up here my fair little dreamwalkers."

And lo, high above in the permanent night sky is a moon so full and bright that it almost feels as if it could swallow them whole. After learning about the Story Eater's actions against Songerein's moon, the appearance of a face would certainly alarm many. But then the face seems to recede before it changes into a full person holding a quill and manuscript.

"Greetings! I am William Shakespeare and you are now within my own dream, a dreamscape I believe you call it. My works can be found in many places and in many worlds. Yet that accursed Story Eater has been devouring my masterpieces! I must now pen them all over again, but one of its minions is invading my mind and altering everything and I refuse to become a brainless puppet like Marlowe. I have isolated it within this place of my own design based off of Romeo and Juliet. However it seems after my reading of the Lindworm King, my visions have been affected a bit, but no matter. A playwright must find inspiration where he can!

But it is now up to you to see this play through completion. Doing so will help those outside draw out the fiend through the accumulated dreamotion energy, and if you could give it a few stabs that will help as well. Not all of you need to partake in my play, and I have already chosen my leading actors and actresses. You should find a brief copy of the script on your person, but you may act however you wish. However, I should warn you—this is a tragedy, so deaths are expected. But fear not, you will leave this dreamscape perhaps a bit tired, but unharmed. It's all a dream after all.

Now that should cover it. I look forward to seeing how everyone's tragic romances will play out. It may give me material for my next masterpiece!"

And just as suddenly as he had appeared, Shakespeare disappears from the moon, leaving it to loom brightly over the otherwise dark city.

I. GENERAL PROMPTS

Reminder that those cast as Romeo and Juliet can participate in most of these prompts, but the timing would be set early on before they move onto their designated scenes.

A. Family Feud. Everyone in Verona is randomly split in allegiance between the Montagues and the Capulets, and whenever they meet there is some kind of tension. It could be violent, hostile, passive, petty, or even attraction. Surely Romeo and Juliet aren't the only ones who can love across the aisle. If not pit against each other to fight or exchange snide comments, opposing parties can also work together to deal with Erasers posing as creepy looking family members/soldiers/knights/etc.

» BONUS: TO ARMS. A city-wide family feud makes for good business if you’re in the weapons-and-armor trade. Gather materials to help smithies in creating armor and weapons.

B. Masquerade. Almost as if it's the opening act, everyone, both Montagues and Capulets are to attend a masquerade held within the Capulet's ballroom. It's a momentary "truce," and though tension between the families is still rampant, everyone is welcome to wear the finest clothing they can imagine and to partake in the festivities. The masquerade itself is in the ballroom, but there are also gardens and large terraces that guests can go to if they want some fresh air.

» BONUS: PREPARATIONS. Any good party requires a lot of preparation, and all of Verona is abuzz with activity leading up to the big night. Tailors need help getting fabric, jewels, and other baubles to create the finest dresses. Caterers need quality ingredients for the food that will be prepared and served. Someone needs to step up and be the band for the night. There are plenty of ways in which Dreamwalkers can help make the masquerade a success!

C. EXTRA SCENES. There are a few specific "scenes" featuring key characters from the original play. Whether taken voluntarily or "beckoned" by Shakespeare, those who participate will have a little "essence" of the original character. No full personality change, but they might feel certain impulses or find it easier to slip into the role. Note: anyone can fill in the roles of "Romeo" and "Juliet" for the Paris scenes; it is not exclusive to those who signed up for Romeo and Juliet.

PARIS V. JULIET. Paris meets and dances with Juliet, taking a fancy with her. With his arrogance believing he can win over the Capulet princess, throughout the night he attempts to woo Juliet, either in the ballroom or the gardens just outside. Juliet must not be swayed! (Or maybe a little swayed, but try not go totally off-book here). Juliet can shut down Paris however they want. (This scene happens during or immediately after the "Masquerade", but before the Balcony scene.)
PARIS V. ROMEO. Paris bullies his younger brother about the Lindworm curse on a near-constant basis. And to add insult to injury, after meeting Juliet he’s decided that he wants Juliet for himself. Obviously, Romeo is not about to let his stupid mean brother steal the love of his life! They’re going to have to fight this one out, either with words or via fisticuffs. (This scene happens during or immediately after the "Masquerade" but before the "Balcony" scene.)
BENVOLIO'S ATTEMPTS. Benvolio is trying to find a cure for Romeo's curse, and after some research in the library he finds something! Good cousin that he is, he puts the theory to the test immediately. Unfortunately, his attempt backfires and he gets turned into a lindworm (fully or partially) instead. The poor guy is now out of sorts, and he needs protection so that someone doesn't mistake him for some monster and kill him. At least the transformation is only temporary.
TYBALT V. MERCUTIO. The infamous duel. Considering how much their families hate each other, the inciting incident can be just about anything. The original story has Tybalt goading Mercutio into a duel by calling Romeo a villain, Tybalt killing Mercutio, and Romeo killing Tybalt. But no one’s enforcing the particulars very closely here, so players are free to proceed with the fight any way they please. (If this fight does end in one or more deaths, please refer to the event details on how death works within the dreamscape.)

D. Love is a Battlefield. As if there wasn’t enough drama to deal with, a large, winged noctaere can be found throughout the dreamscape firing arrows at the residents, turning them into Erasers. It can summon smaller winged noctaere to fight for it, and if a dreamwalker gets hit by the arrows, they will slowly turn into a lindworm that is full of hate. It's difficult to combat the boss itself, but it can be weakened by defeating its minions and those hit by its arrows. Love of any form will be a powerful counter that will hit the boss as well.

» BONUS: ROSE COLLECTION. In the forests are white and red roses that are hidden under logs and stones. They will sparkle a bit to make them look different than other flowers. They must be collected before the Erasers can get to them. A white rose fed to a lindworm will return them back to normal. Eating a red rose will allow characters to turn into a pink, heart covered lindworm for ten minutes to fly up and try to combat against the winged noctaere or the Erasers.

II. ROMEO AND JULIET'S OBJECTIVES

The following objectives are locked to those who signed up for Romeo and Juliet. Please refer to the notes for all the stipulations and effects characters will experience as the tragic couple. Final reminder that the characters will be aware of the tragic ending as well as reassurance that they will awaken unharmed at the end of their final scene.

Click for objectives.

A. Love at First Sight. Time to get your party-crashing pants on, Romeo, because there is a masquerade that you are not invited to but are attending anyway. Who doesn’t love a good party? If you wear a mask, no one will know it’s you! Here Romeo and Juliet have the opportunity to meet and flirt and make goo-goo eyes at each other. And if they really want to get into the spirit of things, they can go into a laborious metaphor about how holding hands is super hot but kissing is way hotter. (Yes, really.) At this point Romeo's curse is only a partial transformation, something along the lines of scales down one side of his body.

B. Balcony Scene. The time for light flirting is over–this is where Romeo and Juliet get to declare their undying love for each other. Romeo really needs to work it as his brother, Paris, has also made moves on Juliet. There’s some strangeness in the dreamscape at this point that seems to have mistaken Shakespeare for musical theater, so the loving couple must sing their love for one another. With that spirit in mind, the moment should be suitably big and dramatic! Immediately after this scene is when Romeo and Juliet get married, so there’s no reason not to put it all out there. Shakespeare will lend a "helping hand" in giving them knowledge of the lyrics to sing, though they are free to create their own song and freestyle it. (Players can use existing songs or make it up as they go.)

C. Elope. Being the very mature and intelligent lovers that they are, Romeo and Juliet decide to get married after knowing each other for a whole day. Time to get to the chapel, meet with the Friar, and exchange vows. Shakespear will lend a helping hand by providing wedding attire fitting for those who are cast in their role. That's right, every Juliet will have their own special bridal dress, isn't he so considerate? And then it’s time to do whatever it is that newlyweds do, if that's what they are into. Otherwise, Romeo and Juliet will need to return home to prepare for their future.

D. Runaways. Juliet learns that she is being forced to marry Romeo's brother, Paris, which is a problem because she’s already married and also she doesn’t like that other guy anyway. In a major divergence from the source material, Romeo and Juliet decide to make a run for it instead of that whole poisoning-yourself business. It’s just a better idea all around. The goal is to get out of town undetected, which means that this is a stealth mission. Romeo and Juliet must follow a path and avoid getting caught. Whatever it takes to get past the guards and would-be snitches that would turn you in!

E. Find the Cure. Even after making it out so far, fate is against them. At this point Romeo's curse is advancing, so they need to look for the cure. Just outside of town they encounter a very trustworthy set of three witches who provide a list of items for them to retrieve and mix into a potion: rainbow mushroom, feather of a dove, three snails, and lavender. No one said this was going to taste good. However, while it will work temporarily, only Juliet is told that the final ingredient must be the blood of his lover. It's a cryptic message, however they do not specify how the blood is taken. Do they mean just a few drops? Or her life?

F. Tragic Ending. Upon learning of the young couple's running away, the Capulets have declared war with knights out hunting to kill Romeo and bring back Juliet. They are soon found and no matter what they do, death will await them. But how? Players can direct this however they want. Did the soldiers catch them? Did they decide that the whole double-suicide poison thing was a good idea after all? Does one tragically sacrifice themself to save the other? Does Romeo go full Lindworm and eat Juliet? The possibilities are endless. At this point Romeo is capable of turning into a full lindworm if he's taken the cure without Juliet's blood. If he drinks the cure with Juliet's blood, then he will revert to a normal human (teenager) with no extra powers.

[Mod Note: Details on this event can be found here and we request all thread submissions to be made here.]

Flat | Top-Level Comments Only

[ His eyes are glued to a fixed point in the crowed. Following the movements of one particular person.. ]

Yes. There's this flirt going around trying to dance with anyone he thinks is his "Juliet."

There is?

[Roxas looks up in the crowd himself, frowning a bit as he tries to figure out who Vanitas is talking about. Hmm... oh, yeah. Looking out, he can see how one particular person does look like he's getting far too chatty with some people, all but dragging them to the dance floor. He remains still until he's certain the guy is distracted, before casually beginning to inch away from the dance floor, motioning Vanitas to follow him.]

Why does he want to dance with "Juliet"?

[ Oh Vanitas is definitely following Roxas. Keeping his eye on the guy that seems to be fixated on just about anyone that he can get to the dance floor. Vanitas shudders, not wanting to have anything to do with that mess. ]

How am I supposed to know? I don't know how this story is supposed to go.

[Roxas doesn't really wanna dance either, so he's more than willing to keep Vanitas covered as well. He does sigh a little, turning to shrug at Vanitas.]

Well, I don't really get it either... Seems kinda silly if you ask me.

[He turns back, and... oh. Oh crap. It looks like that guy is making his way towards them!]

Crap..!

[He glances to the side, looking for an exit... aha! A few paces ahead, there looked like some sort of opening leading to a balcony of some sorts. He tugs Vanitas along with him.]

This way, quick!

The entire reason we're all here is "silly" if you want to know my opinion.

[ Because honestly. He should have just stayed home. But then maybe Sora would have found someone else, someone better than Vanitas. And he isn't going to have any of that. Nope. That's why Vanitas has to go to these stupid things too even if he doesn't -

Why is he being shoved? There's shoving going on. ]

H-huh?

That guy's coming. Keep your head down.

[Roxas gently tugs at Vanitas's sleeve, leading him to the balcony opening.]

If we can get to that balcony, I think we'll be safe for a bit.

[ Yeah okay. Vanitas is heading out. Following Roxas' lead. He's keeping low, staying behind and out of sight. ]

Or you could distract the guy and I can get out of here.

Hey, I don't really want to dance with him either!

[He had looked back at Vanitas to say that to him, but when he looks up, he freezes.]

Oh crap..!

[That Paras guy must have seen them, because he's starting to make his way over. He gives Vanitas a light shove to his shoulder.]

Go, go!

[ Yeah okay but Vanitas isn't waiting to be shoved. He sees the guy and well. Sorry Roxas, but Vanitas is bolting as fast as he can on his two legs.

Better keep up! ]

[Roxas is right on his heels, because hell no he does not want to be caught. The last thing he wants to do is dance with some stranger!]

[He follows after Vanitas and heads for the balcony window. Hopefully they'll be safe there?!]

[ Vanitas isn't waiting to find out. He's practically jumping over the railing and taking a rumble down the side.

Surely the guy won't follow all the way this way? ]

[There's a few cries of surprise as Vanitas leaps, and Roxas isn't too far behind him. They tumble down and over the balcony, landing with a thump.]

[Behind them, there's a few yells for Juliet from Pallas, but no faces are seen following them. It looks like their daring escape worked!]

[ Yeah well Vanitas isn't taking any chances. He's staying right where he is. hiding in this bush.

Glaring up at the guy. If he were a cat? He'd be hissing. ]

Creep.

[Roxas is also not taking any chances, remaining where he is when he sees Vanitas not moving. When it looks a little safer, he sighs, slumping down a little.]

Creep is right. What is up with that guy..?

Like I know! However I wasn't the only one that he was creeping on. He's willing to go after everyone.

[ Anyone, seems like? Vanitas just knows that he doesn't want any part of it. ]

Someone oughta stop that guy, or teach him a lesson.

[But like Vanitas, Roxas is currently staying in the bushes. Nope, he doesn't wanna deal with that guy either.]

Maybe there's a way we can help out without going back in there.

[ Yeah now see there's just one little itty bitty problem with that sort of train of thought, Roxas. ]

Why should I go and do anything at all?

[ it IS Vanitas here after all. ]

Well, if we have to go back in the ballroom, he could try to dance with us again. Wouldn't it be easier to deal with him now so he won't bother us later?

[He gets this is Vanitas but he also wants to provide some practicality for doing so.]

And besides, if we don't help out things in this dreamscape, it'll affect the town, right?

Roxas... How is chasing one guy off really going to do anything to help this dreamscape along? For all we know he could be someone outside of the dreamscape just like the rest of us.

[ Logic this out for him ]

Oh... I didn't think of that...

[Damnit Vanitas, you and your logic.]

Maybe it is better to just avoid him then.

See? Now you're starting to get it. There are times where staying out of the way is the best solution.

[ Vanitas is going to get up and attempt to saunter over to the gardens proper now. ]

Yeah, I guess you're right on that.

[And since Roxas doesn't really want to go back in and deal with that guy again, he's going to follow Vanitas into the gardens.]

{ lindwormeo and juliet }

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